International Journal of Art and Art History

Historical Perception of Visual Art Forms in Anlo Traditional Marriage Rites in Ghana
Godwin Gbadagba, Agbeyewornu Kofi Kemevor (PhD), Prosper Kwaku Asiedu

Abstract
In this study, an attempt was made to evaluate the symbolic relevance of visual art forms in Anlo traditional marriage rites in Ghana. The study population consisted of Custodians: Chiefs, Elders and married couples in Anloga and Keta. Through a non-probability sampling technique, precisely purposive technique, a sample size of twenty (20) respondents were chosen; thus, a chief, three elders and sixteen married couples. A multi approach data collection technique was employed which included observation, interview and focus group discussion for data collection. The study showed that marriage is a very important rite among the Anlo people, and every stage of the marriage process has visual effects which are symbolic.The philosophies and concepts behind these visual art forms become the norms and ethics which bind the society. Similarly, the society is taught to make art forms not just for their aesthetics but also as a way of preserving the culture of the people. The study recommended that inhabitants of Anlo should be educated on the importance of these artifacts. Besides, the preservation of cultural heritage should be the responsibility of every member of the society.

Full Text: PDF       DOI: 10.15640/ijaah.v8n1a7