Home > Art and Art History > Vol 6 No 1 June 2018

Volume 6, Issue 1
June 2018

Revolution, Freedom, and Oppression from Rivera to Coco Rob Spencer International Journal of Art and Art History, 6(1), pp. 1-12
DOI: 10.15640/ijaah.v6n1a1 URL: http://dx.doi.org/10.15640/ijaah.v6n1a1
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Muybridge, the Galloping Horse and revealed Errors in Art Pangratios Papacosta Ph.D. International Journal of Art and Art History, 6(1), pp. 15-26
DOI: 10.15640/ijaah.v6n1a2 URL: http://dx.doi.org/10.15640/ijaah.v6n1a2
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A Study of the Visual Presentation of Sensory Impressions Reham A. Sanad International Journal of Art and Art History, 6(1), pp. 27-32
DOI: 10.15640/ijaah.v6n1a3 URL: http://dx.doi.org/10.15640/ijaah.v6n1a3
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Evaluation and Valuation of Art: An Artist’s Dilemma Amy J. Keely, MBA, M.Ed International Journal of Art and Art History, 6(1), pp. 33-39
DOI: 10.15640/ijaah.v6n1a4 URL: http://dx.doi.org/10.15640/ijaah.v6n1a4
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Promoting Awareness about Traditional Motifs and Patterns of Pakistan in Truck Art through Textile and Fashion Design for the Local and Global Market Almas Fatima Malik International Journal of Art and Art History, 6(1), pp. 40-45
DOI: 10.15640/ijaah.v6n1a5 URL: http://dx.doi.org/10.15640/ijaah.v6n1a5
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Eastern Carpets in David Chalmers Alesworth’s Art Ekin Kakan International Journal of Art and Art History, 6(1), pp. 46-58
DOI: 10.15640/ijaah.v6n1a6 URL: http://dx.doi.org/10.15640/ijaah.v6n1a6
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Pioneering Outputs in Aesthetics of Telecommunications: The Case of Telecollaborative Projects by Kit Galloway and Sherrie Rabinowitz Hulya Toksoz Sahiner International Journal of Art and Art History, 6(1), pp. 59-66
DOI: 10.15640/ijaah.v6n1a7 URL: http://dx.doi.org/10.15640/ijaah.v6n1a7
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Gender-Specific Colours of Textile and Clothing Products throughout History Reham Abdelbaset Sanad International Journal of Art and Art History, 6(1), pp. 67-77
DOI: 10.15640/ijaah.v6n1a8 URL: http://dx.doi.org/10.15640/ijaah.v6n1a8
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Beyond The Masquerade: Simulation and Reproduction of African Mask Forms E. K. Bodjawah; k. Seid’ou; F. E. Kofigah; S. Sosu International Journal of Art and Art History, 6(1), pp. 78-88
DOI: 10.15640/ijaah.v6n1a9 URL: http://dx.doi.org/10.15640/ijaah.v6n1a9
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Expressing Gestures and Emotions: Use of Lines in Georges Seurat’s Paintings Seulkee Kang, Sungju Woo International Journal of Art and Art History, 6(1), pp. 89-95
DOI: 10.15640/ijaah.v6n1a10 URL: http://dx.doi.org/10.15640/ijaah.v6n1a10
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The Tamga which Comes to Turkey from the Oldest Known Trousers of the History Dr Mustafa Aksoy, Gönül Yektaş Biancat International Journal of Art and Art History, 6(1), pp. 96-106
DOI: 10.15640/ijaah.v6n1a11 URL: http://dx.doi.org/10.15640/ijaah.v6n1a11
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